Soar for Autumn

Tim Soar for AW10.

Now, I rarely wear an outfit of pieces from one designer but I had to make an exception after falling head over heels for Tim Soar's AW10 collection back in February. After a successful number of seasons of no-holds-barred modernism Soar opted to look back in order to look forward with his 'Greatest Hits' collection. Throughout, Soar manages to eloquently condense the last one hundred and fifty years of menswear, picking out key pieces and exploring the shifts in the social constructs of masculinity as he goes. Soar developed a mood board that ran chronologically from mid-victorian times through to the late 70s. It then became easy to pick out themes to explore. Some of the themes were detail focused, some were all about fabric others were about cut and construction. The real focus is all about making each piece desirable in its own right.

A closer look at the cashmere mix waffle knit and the silk shirt.

For his 'Greatest Hits', Soar wanted to produce a collection that was warm and familiar, one that would have many overlapping memories and echoes from the past. The result is a collection fit for any modern day gentleman. Timeless elegance. When we unpicked the seams of his the collection back in March, I had to physically restrain myself from purchasing the entire line but succumbed to ordering a trio of key piece; the cashmere mix scooped neck waffle knit, long silk shirt and a pair of black trousers. Having enjoyed and experimented with these items for just over a month, I thought that it was about time that I shared them with you...

The Tim Soar outfit. Silk shirt, waffle knit and trousers all by Tim Soar. 

Socks from Uniqlo and shoes by Mr. Hare.

The length and fluidity of the silk dress shirt has to take centre stage whenever it is worn. Of course, it can be a little too much on its own but the fluidity of the piece works so well when worn the super soft waffle knit. I love the playfulness of this combination and decided to accentuate it by cuffing my trousers a little higher.

Silk shirt, waffle knit and trousers all by Tim Soar.

For me, the key piece of the entire collection was the long silk shirt and I was fortunate enough to hear how this piece embodies the aesthetic of the collection from the designer himself. About a month into the design process Soar looked through his own clothing archive and pulled out two exquisite hand made 70s silk dress shirts that had been kicking around for some time. They where very long and fluid, but quite precise at the same time. Upon this discovery the designer was able to see this connection between the Victorian/Edwardian aesthetic and classy Parisian feeling mid-70s menswear. As soon as he made that connection, it all fell into place. Until now, I had nothing like this in my wardrobe and  will no doubt have great fun experimenting with the fluidity of the item.

Here's to celebrating Soar's Greatest Hits.

Soar for Autumn

Tim Soar for AW10.

Now, I rarely wear an outfit of pieces from one designer but I had to make an exception after falling head over heels for Tim Soar's AW10 collection back in February. After a successful number of seasons of no-holds-barred modernism Soar opted to look back in order to look forward with his 'Greatest Hits' collection. Throughout, Soar manages to eloquently condense the last one hundred and fifty years of menswear, picking out key pieces and exploring the shifts in the social constructs of masculinity as he goes. Soar developed a mood board that ran chronologically from mid-victorian times through to the late 70s. It then became easy to pick out themes to explore. Some of the themes were detail focused, some were all about fabric others were about cut and construction. The real focus is all about making each piece desirable in its own right.

A closer look at the cashmere mix waffle knit and the silk shirt.

For his 'Greatest Hits', Soar wanted to produce a collection that was warm and familiar, one that would have many overlapping memories and echoes from the past. The result is a collection fit for any modern day gentleman. Timeless elegance. When we unpicked the seams of his the collection back in March, I had to physically restrain myself from purchasing the entire line but succumbed to ordering a trio of key piece; the cashmere mix scooped neck waffle knit, long silk shirt and a pair of black trousers. Having enjoyed and experimented with these items for just over a month, I thought that it was about time that I shared them with you...

The Tim Soar outfit. Silk shirt, waffle knit and trousers all by Tim Soar. 

Socks from Uniqlo and shoes by Mr. Hare.

The length and fluidity of the silk dress shirt has to take centre stage whenever it is worn. Of course, it can be a little too much on its own but the fluidity of the piece works so well when worn the super soft waffle knit. I love the playfulness of this combination and decided to accentuate it by cuffing my trousers a little higher.

Silk shirt, waffle knit and trousers all by Tim Soar.

For me, the key piece of the entire collection was the long silk shirt and I was fortunate enough to hear how this piece embodies the aesthetic of the collection from the designer himself. About a month into the design process Soar looked through his own clothing archive and pulled out two exquisite hand made 70s silk dress shirts that had been kicking around for some time. They where very long and fluid, but quite precise at the same time. Upon this discovery the designer was able to see this connection between the Victorian/Edwardian aesthetic and classy Parisian feeling mid-70s menswear. As soon as he made that connection, it all fell into place. Until now, I had nothing like this in my wardrobe and  will no doubt have great fun experimenting with the fluidity of the item.

Here's to celebrating Soar's Greatest Hits.

Soar for Autumn

Tim Soar for AW10.

Now, I rarely wear an outfit of pieces from one designer but I had to make an exception after falling head over heels for Tim Soar's AW10 collection back in February. After a successful number of seasons of no-holds-barred modernism Soar opted to look back in order to look forward with his 'Greatest Hits' collection. Throughout, Soar manages to eloquently condense the last one hundred and fifty years of menswear, picking out key pieces and exploring the shifts in the social constructs of masculinity as he goes. Soar developed a mood board that ran chronologically from mid-victorian times through to the late 70s. It then became easy to pick out themes to explore. Some of the themes were detail focused, some were all about fabric others were about cut and construction. The real focus is all about making each piece desirable in its own right.

A closer look at the cashmere mix waffle knit and the silk shirt.

For his 'Greatest Hits', Soar wanted to produce a collection that was warm and familiar, one that would have many overlapping memories and echoes from the past. The result is a collection fit for any modern day gentleman. Timeless elegance. When we unpicked the seams of his the collection back in March, I had to physically restrain myself from purchasing the entire line but succumbed to ordering a trio of key piece; the cashmere mix scooped neck waffle knit, long silk shirt and a pair of black trousers. Having enjoyed and experimented with these items for just over a month, I thought that it was about time that I shared them with you...

The Tim Soar outfit. Silk shirt, waffle knit and trousers all by Tim Soar. 

Socks from Uniqlo and shoes by Mr. Hare.

The length and fluidity of the silk dress shirt has to take centre stage whenever it is worn. Of course, it can be a little too much on its own but the fluidity of the piece works so well when worn the super soft waffle knit. I love the playfulness of this combination and decided to accentuate it by cuffing my trousers a little higher.

Silk shirt, waffle knit and trousers all by Tim Soar.

For me, the key piece of the entire collection was the long silk shirt and I was fortunate enough to hear how this piece embodies the aesthetic of the collection from the designer himself. About a month into the design process Soar looked through his own clothing archive and pulled out two exquisite hand made 70s silk dress shirts that had been kicking around for some time. They where very long and fluid, but quite precise at the same time. Upon this discovery the designer was able to see this connection between the Victorian/Edwardian aesthetic and classy Parisian feeling mid-70s menswear. As soon as he made that connection, it all fell into place. Until now, I had nothing like this in my wardrobe and  will no doubt have great fun experimenting with the fluidity of the item.

Here's to celebrating Soar's Greatest Hits.

Magazines in the Spotlight: Encens

Regular readers may have noticed that it has been quite some time since our last 'Magazine In The Spotlight' post but this is not want of trying. I have been frequently and somewhat furiously finger flicking my way through the racks at newsagents and bookstores far and wide before leaving empty handed. Of course, I have encountered the usual suspects but for one reason or another these have failed to truly excite me and therefore warrant a post. I relayed my woes during a recent shopping jaunt at b Store and thankfully proprietor Matthew Murphy stepped in and offered the name of a title that had previously been unknown to me, Encens. His enthusiasm for the title was infectious. As I left the store with my purchases I instantly began my search of Soho for the publication which came to fruition at the ever reliable Compton News. Since finding it I have struggled to put it down which is no easy task given the weight of this style beast. 

Encens number twenty six stands apart from previous issues as it signals their departure from the bi-annual format. Now published once yearly, the publication has taken on several properties which would classify it closer to a book. Firstly, the thickness and hardcover bound, its qualities as an object are just as powerful as the visual stories inside. During his Fashion Pioneers talk with Imran Ahmed, Jefferson Hack highlighted the growing importance of specialisation and what visionary science fiction author and futurist William Gibson terms mooks: “a hybrid of a book and a magazine where stories can be told in depth with beautiful photography.” Encens is undoubtedly more 'mook' than magazine. It is an exploration of the two editors, Samuel Drira and Sybille Walter, aesthetics and something of a manifesto against disposable fashion. Stylist Drira and photographer Walter share a passion for the drape and fall of clothing, a subtle tailoring and a softness of finish and form. Throughout this weighty hardback, there is an incessant delivery of their vision as opposed to a summation of the trends or season based investigations that we have come to expect from style magazines. This vision is contained is shared within everything from an interview with Yves Saint Laurent taken from Vogue in November 1983 to a celebration of the menswear design talent of Damir Doma and Kris Van Assche. Despite the temptation to scan every single page for you, I've decided to pick out a few highlights. Let the images inspire...

Moving back and forth from the present to the past, the editorials and features have a timeless quality. Fashion magazines tend to constantly strive forward. Even though the latest collections may have been influenced by styles or characters from yesteryear, these influences tend to be ignored. Magazines are blinkered to the past. Encens however, takes a fond gaze at the aesthetics of the past which still should have clout today. The publications stands for an independent and long terms approach. Neither Dirra nor Walter are obsessed with clothes of the moment. For them, the best fashion has three common denominators - simplicity and style but also a sense of timelessness, the capacity to either be or become a classic. In one feature they celebrate Kris Van Assche and Damir Doma, declaring their designs to be menswear at its best. A fluid silhouette, void of the typical restriction of menswear, stripped of the 'for men only' labels. Both have a desire to render the ready made boxes of menswear, sharing ideals of versatility and a nomadic existence. The following quote from Per Spook in another feature echoes these ideal...

"One of my golden rules is to be at ease in a garment. Men hate feeling confined. Likewise, discretion, rather than disguise. A man's wardrobe must have its own personality, yet not be recognisable. I have always preferred the classicism of a great simplicity, natural materials, cuts that are worn loose, and since my clothes do not have linings, they remain light and supple." Per Spook.

Encens' relevance exists in the very fact that it is not grounded in any sort of fast fashion, instead quite the opposite. Although seasonality is expected in fashion, I respect and admire anyone who turns against those implemented measures of time. I heartily recommend that you add this publication to your reading list, consider it pleasurable homework.

Magazines in the Spotlight: Encens

Regular readers may have noticed that it has been quite some time since our last 'Magazine In The Spotlight' post but this is not want of trying. I have been frequently and somewhat furiously finger flicking my way through the racks at newsagents and bookstores far and wide before leaving empty handed. Of course, I have encountered the usual suspects but for one reason or another these have failed to truly excite me and therefore warrant a post. I relayed my woes during a recent shopping jaunt at b Store and thankfully proprietor Matthew Murphy stepped in and offered the name of a title that had previously been unknown to me, Encens. His enthusiasm for the title was infectious. As I left the store with my purchases I instantly began my search of Soho for the publication which came to fruition at the ever reliable Compton News. Since finding it I have struggled to put it down which is no easy task given the weight of this style beast. 

Encens number twenty six stands apart from previous issues as it signals their departure from the bi-annual format. Now published once yearly, the publication has taken on several properties which would classify it closer to a book. Firstly, the thickness and hardcover bound, its qualities as an object are just as powerful as the visual stories inside. During his Fashion Pioneers talk with Imran Ahmed, Jefferson Hack highlighted the growing importance of specialisation and what visionary science fiction author and futurist William Gibson terms mooks: “a hybrid of a book and a magazine where stories can be told in depth with beautiful photography.” Encens is undoubtedly more 'mook' than magazine. It is an exploration of the two editors, Samuel Drira and Sybille Walter, aesthetics and something of a manifesto against disposable fashion. Stylist Drira and photographer Walter share a passion for the drape and fall of clothing, a subtle tailoring and a softness of finish and form. Throughout this weighty hardback, there is an incessant delivery of their vision as opposed to a summation of the trends or season based investigations that we have come to expect from style magazines. This vision is contained is shared within everything from an interview with Yves Saint Laurent taken from Vogue in November 1983 to a celebration of the menswear design talent of Damir Doma and Kris Van Assche. Despite the temptation to scan every single page for you, I've decided to pick out a few highlights. Let the images inspire...

Moving back and forth from the present to the past, the editorials and features have a timeless quality. Fashion magazines tend to constantly strive forward. Even though the latest collections may have been influenced by styles or characters from yesteryear, these influences tend to be ignored. Magazines are blinkered to the past. Encens however, takes a fond gaze at the aesthetics of the past which still should have clout today. The publications stands for an independent and long terms approach. Neither Dirra nor Walter are obsessed with clothes of the moment. For them, the best fashion has three common denominators - simplicity and style but also a sense of timelessness, the capacity to either be or become a classic. In one feature they celebrate Kris Van Assche and Damir Doma, declaring their designs to be menswear at its best. A fluid silhouette, void of the typical restriction of menswear, stripped of the 'for men only' labels. Both have a desire to render the ready made boxes of menswear, sharing ideals of versatility and a nomadic existence. The following quote from Per Spook in another feature echoes these ideal...

"One of my golden rules is to be at ease in a garment. Men hate feeling confined. Likewise, discretion, rather than disguise. A man's wardrobe must have its own personality, yet not be recognisable. I have always preferred the classicism of a great simplicity, natural materials, cuts that are worn loose, and since my clothes do not have linings, they remain light and supple." Per Spook.

Encens' relevance exists in the very fact that it is not grounded in any sort of fast fashion, instead quite the opposite. Although seasonality is expected in fashion, I respect and admire anyone who turns against those implemented measures of time. I heartily recommend that you add this publication to your reading list, consider it pleasurable homework.

Magazines in the Spotlight: Encens

Regular readers may have noticed that it has been quite some time since our last 'Magazine In The Spotlight' post but this is not want of trying. I have been frequently and somewhat furiously finger flicking my way through the racks at newsagents and bookstores far and wide before leaving empty handed. Of course, I have encountered the usual suspects but for one reason or another these have failed to truly excite me and therefore warrant a post. I relayed my woes during a recent shopping jaunt at b Store and thankfully proprietor Matthew Murphy stepped in and offered the name of a title that had previously been unknown to me, Encens. His enthusiasm for the title was infectious. As I left the store with my purchases I instantly began my search of Soho for the publication which came to fruition at the ever reliable Compton News. Since finding it I have struggled to put it down which is no easy task given the weight of this style beast. 

Encens number twenty six stands apart from previous issues as it signals their departure from the bi-annual format. Now published once yearly, the publication has taken on several properties which would classify it closer to a book. Firstly, the thickness and hardcover bound, its qualities as an object are just as powerful as the visual stories inside. During his Fashion Pioneers talk with Imran Ahmed, Jefferson Hack highlighted the growing importance of specialisation and what visionary science fiction author and futurist William Gibson terms mooks: “a hybrid of a book and a magazine where stories can be told in depth with beautiful photography.” Encens is undoubtedly more 'mook' than magazine. It is an exploration of the two editors, Samuel Drira and Sybille Walter, aesthetics and something of a manifesto against disposable fashion. Stylist Drira and photographer Walter share a passion for the drape and fall of clothing, a subtle tailoring and a softness of finish and form. Throughout this weighty hardback, there is an incessant delivery of their vision as opposed to a summation of the trends or season based investigations that we have come to expect from style magazines. This vision is contained is shared within everything from an interview with Yves Saint Laurent taken from Vogue in November 1983 to a celebration of the menswear design talent of Damir Doma and Kris Van Assche. Despite the temptation to scan every single page for you, I've decided to pick out a few highlights. Let the images inspire...

Moving back and forth from the present to the past, the editorials and features have a timeless quality. Fashion magazines tend to constantly strive forward. Even though the latest collections may have been influenced by styles or characters from yesteryear, these influences tend to be ignored. Magazines are blinkered to the past. Encens however, takes a fond gaze at the aesthetics of the past which still should have clout today. The publications stands for an independent and long terms approach. Neither Dirra nor Walter are obsessed with clothes of the moment. For them, the best fashion has three common denominators - simplicity and style but also a sense of timelessness, the capacity to either be or become a classic. In one feature they celebrate Kris Van Assche and Damir Doma, declaring their designs to be menswear at its best. A fluid silhouette, void of the typical restriction of menswear, stripped of the 'for men only' labels. Both have a desire to render the ready made boxes of menswear, sharing ideals of versatility and a nomadic existence. The following quote from Per Spook in another feature echoes these ideal...

"One of my golden rules is to be at ease in a garment. Men hate feeling confined. Likewise, discretion, rather than disguise. A man's wardrobe must have its own personality, yet not be recognisable. I have always preferred the classicism of a great simplicity, natural materials, cuts that are worn loose, and since my clothes do not have linings, they remain light and supple." Per Spook.

Encens' relevance exists in the very fact that it is not grounded in any sort of fast fashion, instead quite the opposite. Although seasonality is expected in fashion, I respect and admire anyone who turns against those implemented measures of time. I heartily recommend that you add this publication to your reading list, consider it pleasurable homework.